writers resources / writers tips

25 Take-aways from the Richard Bausch workshop

bauschI just finished a fourteen-week workshop with internationally-renowned writer of fiction and short stories, Richard Bausch. What I hoped to get was tips on how to improve my writing from a man who knows. After all, he’s published eleven books, an untold number of stories, is the editor of the prestigious Norton Anthology of Short Fiction, and received a bunch of awards including 2013 Winner of the REA award for Short Fiction.

He teaches at Chapman University in Orange California, but this workshop is only available to non-students, his effort to give-back to the writing community that has been his life. It’s offered once a year, through Chapman College. Hundreds of aspiring authors submit twenty pages representative of their writing and cross their fingers, hoping–praying–they’ll be one of the top twelve selected. If they are–as I was–they work with their new favorite classmates for fourteen weeks to understand what exactly makes great writing happen. Shaping conversation is Richard Bausch with ideas, stories, personal examples, readings from some of the world’s great authors, support, always a smile and encouragement. From the first day, he reminded us all that we never had to wonder if we were good enough as writers. We were or he wouldn’t have selected us.

What a difference that makes in attitude, to know I’m writing from a position of strength, not hope.

Now, with the class behind me, I want to share my top 25 take-aways from those weeks. This is wisdom that resonated with me, surprised me, sometimes contradicted other experts but I came to believe under Richard’s gentle but persistent direction:

  1. You are the docent of your own museum. Meaning: Reflect, analyze, consider all angles, but in the end, it is your story to tell.
  2. When sending submittals to agents, make it look as much like a printed book as possible–margins, double space, font, font size, avoid pictures/colors/borders.
  3. A character doesn’t have to be likable, just interesting. If you’ve ever been told that main characters shouldn’t be bad guys, rethink that premise.
  4. What is the loudest noise in the story? What is the fulcrum of the plot, the characters? Around what do all other story elements revolve?
  5. There are only two rules in fiction: 1) use words, 2) be interesting
  6. If you’re writing in the past perfect tense such as you might for a flashback (for example, s/he had eaten there once), use ‘had’ once at the start of a paragraph and then the rest of the paragraph can be in past tense. But, if you think the reader needs to be reminded, do so.
  7. It isn’t an indulgence to write. It’s an obligation. You have talent.
  8. What you write shapes what you write next. Does that sound obvious? It is, but doesn’t always happen.
  9. You don’t have to provide limo service for your characters. They can get there on their own. Meaning: You don’t have to spell everything out. Leave some to the reader’s imagination.
  10. Every story needs surprises.
  11. The last thing you learn how to do as an author is write in your own voice.
  12. Show and tell. Meaning: What we’ve always learned is ‘show not tell’. In excellent writing, do both.
  13. Reading a lot gives you words for your story.
  14. We are not constrained by reality when writing.
  15. The one promise life always keeps is sorrow. Writing a story about that sorrow is a beautiful thing to do (for me, this explains why so many literary fiction stories are sad).
  16. Post exposition is usually a mistake. Meaning: explaining an action pages after it happened is not a good way to unfold the story.
  17. Two ways to get information out (besides flashbacks and backstory): 1) have the character write a letter with the critical information, 2) reveal it through clothing, setting.
  18. It’s not so much that a character changes from the start to the end of the story. It’s that the reader changes–his/her perception has changed.
  19. POV can switch in a story as long as there’s appropriate segue.
  20. Fiction is life organized and experience shaped so it adds up to meaning. Writers aren’t really putting life on the page; they’re shaping it.
  21. Excellent writing involves a truth that make the reader feel like they’ve experienced it. They carry it around as though it’s true and as though it’s their own truth.
  22. Fiction is writing stories that matter, that are worth an adult’s time.
  23. If you’re afraid the story you’re writing might be a novel, it probably is.
  24. If a story isn’t quite working, it might be in the wrong person–say, first instead of third.
  25. Writing is not done by rational processes.

–photo credit: RichardBausch.com

I left a better writer by far than when I started. And I’m not the only one who felt that way. Check out this review by an attendee at another Richard Bausch workshop and this one by Peggy Burch over at The Shelf Life (she does a great job capturing the atmosphere of the class). If you’re interested in his next season, keep an eye on the Chapman University website. Here’s a link to the 2nd Annual Chapman workshop I participated in. Maybe it’ll help redirect you to the next one.

Any feedback from others who have attended?

More on writing help:

Ten Commandments from Richard Bausch

10 Tips from Janet Burroway

Writer’s Tips #64: From Kurt Vonnegut

Jacqui Murray is the author of the popular Building a Midshipman, the story of her daughter’s journey from high school to United States Naval Academy. She is webmaster for six blogs, an Amazon Vine Voice book reviewer, a columnist for Examiner.com and TeachHUB, Editorial Review Board member for Journal for Computing Teachers, monthly contributor to Today’s Author and a freelance journalist on tech ed topics. In her free time, she writes technology training books for how to integrate tech in education. Currently, she’s editing a techno-thriller that should be out to publishers next summer.

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44 thoughts on “25 Take-aways from the Richard Bausch workshop

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    • I’ve been to a few conferences that I paid a lot to attend and seriously underperformed. This one, I figured I couldn’t lose much at the $40 price (except time) and I got ten times that.


      • Thank you so much for this information! I was just wondering what you meant by underperformed? Did the expensive conferences not live up to your expectations?


      • I had high expectation–maybe unreasonable–that they couldn’t meet. Money’s always an issue and I spend it sparingly so that probably entered into my feeling of ‘underperforming’ also. In truth, every conference I’ve attended has been worth the month both in hints and the community I got to know.


      • Do you think the expensive workshops that say they admit based on quality of submissions only are truly doing just that? Are some truly competitive, in your opinion? Do you know anything about Tom Jenks’ workshop up in San Francisco? Thanks so much for your advice:)


  8. Reblogged this on Maryde and commented:
    I found many of these tips and hints very handy.
    I especially recognised No 6 (for which I am guilty) – on writing *had* too often, when explaining Backflash/story. I read it in 2 excerpts this morning already. Thanks for sharing Jacqui Murray


  9. Lots of useful hints their Jacqui – thanks – the stand out one for me was No 6 – using had in flashbacks. I’ve read 1 blog and 2 excerpts this morning and yep – they all contained at min- 4 hads!! Good to look out for. I know I’m guilty


  10. Wow Jacqui this was amazing does he do a course online? This is one of your best hot tips by far. It must have been a learning curve and a half for you and these tips really resonated with me I hope you don’t mind me sharing your post with my tribe writer fiction group. Thanks Jacqui.


    • Absolutely–I’m honored to be shared. He only does it in person. He’s a real believer in the group bonding–wants us to continue meeting even though the class is ended. We’re going to try–that will be online. We’ll see how it goes.


  11. Hi, Jacqui. I was a student in RB’s workshop in Memphis in 2010. (If you look more closely at the Peggy Burch post you link to, you’ll see that the essay about the workshop was actually written by me.) Richard’s an amazing teacher, and I think your post here is a fantastic distillation of some of his best advice. I call on the things I learned from him every time I sit down to write, and everyone I know who has studied with him would say the same. Anyone who has an opportunity to take the free workshop should jump at it.

    So glad to have found your site, and to know that the Bauschian inspiration is going strong in CA. Best of luck with your work!


    • It’s great to meet you, Maria. You said exactly how I feel. Somewhere as early as the second class, my writing world tilted, for the better. I am so excited to rework my WIP with his tips in mind.

      I’m going over to visit your site now. Thanks for dropping in.


  12. Good job Jacqui! I also really admire your Writing Blog.

    Here’s a few more Bausch-isms:

    Regarding rewrites: You can’t fuck it up you can only make it necessary to do it again.
    Write with the direct gaze of the child that you were.
    Fiction is a lie about the truth.
    Write from your experience not of it.

    I miss our Monday night sessions already! Thanks for putting this together.


  13. Congratulations, Jacqui, for making the class. I’m in awe of your energy to take on yet more than you already have on your plate. I strive to learn and you always provide constructive information. Thank you for sharing. 🙂


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