Martha Alderson’s Blockbuster Plots: Pure and Simple (Illusion Press 2004) presents step-by-step strategies to build your story, maximize the impact of scenes and provide depth to the plot. She focuses not on the ordinary plot, but the one that will push you to the top of the pile, make your book a must-read among all others.The difference in simple terms is you must want to write a story that will go viral (maybe make you a lot of money) rather than simply tell a story you feel must be told. I’ve read two other books for would-be writers that address this unique animal:
- Donald Maass’ The Breakout Novelist
- Albert Zuckerman’s Writing the Blockbuster Novel
Alderson explains it differently–less narrative and more a structured approach via what she calls a ‘Scene Tracker’. This handy spreadsheet includes significant elements required for each scene, such as:
- date of scene
- setting
- scene summary
- brief description of character’s emotional development
- the goal of the scene
- dramatic action
- conflict
- change
- theme detail
I won’t include an image for fear it is copyrighted, but you’ll see it in the book.
Here are thirteen takeaways (besides these eleven) I liked:
- “We experience mood swings, albeit fleetingly, in reaction to every conflict. Chart those.”
- “Do not polish. Do not go back and start over. Keep moving forward.”
- “…come up with an authentic detail specific to your story, yet universal, so when it is repeated, it draws the readers in…”
- “A story is the shifting of power back and forth between the protagonist and the antagonist.”
- “Story is about struggle.”
- “As the character prepares to confront the adversity, suspense builds and the reader begins to participate.”
- “Any sort of looming unknown makes it possible for you to slow things down without the fear of losing your readers.”
- “The protagonist must be drawn as a complex individual with both strengths and weaknesses.”
- “The Crisis is the dark night of the soul.”
- “Once you, as the writer, know how the character is going to play the final confrontation, you have all you need to know.”
- “The protagonist demonstrates the transformation s/he underwent in the story by doing something in the Climax s/he was unable to do at the Beginning of the story.”
- “The first draft separates people who write from those who talk about writing.”
- “By using something within the character’s psychology to create tension or conflict, you create a multilayered plotline, one involving character growth directly linked to the action.”
BTW, if you want to purchase any of these from Amazon, click the links below:
Blockbuster Plots: Pure & Simple
The Breakout Novelist: Craft and Strategies for Career Fiction Writers
More how-to book reviews for writers:
36 Essential Books for Every Writer
15 Tips From Writing From A to Z
11 Tips to Self-Editing Your Manuscript
To have these tips delivered to your email, click here.
I enjoyed these tips! Really great!
LikeLiked by 1 person
Thanks for visiting this post, Balladeer!
LikeLiked by 1 person
Pingback: Data Visualisation Software - Scholars Papers
Pingback: Data Visualisation Software - Essay Mine
Pingback: Book Review: A Writer’s Coach | WordDreams...
Pingback: Writers Tips #94: 9 Writing Tips From James Frey | WordDreams...
Pingback: Writers Tip #92: How to Write Like a Pulitzer Prize Winner | WordDreams...
Pingback: 11 Tips You Don’t Want to Miss about Writing a Novel | WordDreams...
Conflict is the key. I learned that after I wrote my first draft. Sigh. Better late than never. Next time around I’m going to track the emotional tempo of each scene/chapter. Thanks for these tips!
LikeLike
Absolutely. I remember reading one author’s solution: Every time she felt like things slowed down, she threw her character into a fight. That works for me!
LikeLike
Reblogged this on Writer's Work Lab.
LikeLike
Thanks for the reblog!
LikeLike
Those are amazing quotes you’ve pulled. I’d like to write more craft books.
LikeLike
Aren’t they great? Those little snippets have a big impact on writers.
LikeLike
Great post! And to me very encouraging. I needed this like a vitamin B shot. 🙂
Anna from Shout with Emaginette
LikeLike
I was impressed with her book, though I’d never heard of her. Not really sure why I bought the book, either!
LikeLiked by 1 person
Thanks for these! I’ve been a screenwriter a long time but am just starting to find my way with fiction so happy to get my hands on any pointers! I’ve always found lots of detailed plotting to be useful, so that by the time I get into a draft I’m all but watching the movie in my head and transcribing, and I’m hoping I’ll be able to apply a similar method to my novel…
LikeLike
There are a lot of similarities. I love the idea of watching the movie and transcribing. Some of my favorite authors have a similar approach.
LikeLike
I’m not familiar with this writer or the book, but by your description, it sounds like it’s the book from which I’d get the most useful strategies. Thanks for the review, Jacqui.
LikeLike
Where Maass and Zuckerman are more narrative, Alderson is a workbook approach. Maass and Zuckerman rely on their expertise in the field (which in both cases is considerable). Alderson isn’t as well known, but I came to respect her ideas, which then, makes the homework palatable.
LikeLike
Jacqui bookmarked and loving every one. Especially the reminder to show growth in your hero….“The protagonist demonstrates the transformation s/he underwent in the story by doing something in the Climax s/he was unable to do at the Beginning of the story.” I have not arrived at the end of my novel yet in editing but will definitely check back with these when I finish my editing course. Thank you.
LikeLike
I struggle with that–showing growth. but if I don’t find it in books I read, I’m disappointed, so I viscerally realize it’s important.
LikeLike
I like the comment that the first draft seperates those who write from those who talk about it. It’s true we need to put our bums in seats. It sounds like an interesting book. I’m also interested in the Donald Maas book.
LikeLike
Most people I know who quit on a book do it before the end of the first draft. Is that your experience?
LikeLike
I wonder… are we reading these books as a way to justifiably procrastinate at actually putting our butts in the seat and hammering at a keyboard or taking up a pen and scratching out a story on paper? I have boughten 2 books on writing in the past year. Mind you, these are not thesauruses, grammar, or other books like these. The first one I bought was “The First 50 Pages’. The second was ‘The Beginning, the Middle, and the End’. I figure if I can’t do it from here on, I just can’t do it. Luckily, I feel that I can do it.
LikeLike
I’ve bought a lot of books as motivation for writing. It’s been a long journey and depressing at times. Authors like Maass remind me I can do it! Yeah!
First 50 Pages–Noah Lukeman–good choice.
LikeLike
Oooh, I’m having a little trouble with that motivation—“is you must want to write a story that will go viral (maybe make you a lot of money) rather than simply tell a story you feel must be told. ”
I’ve always that that it is enough to tell the story your feel must be told. I guess that explains everything.
LikeLike
Zuckerman digs into that motivation into his book–telling readers his book is for those who want the Gold. I’m not sure that’s me, either. I want to tell a good story, make people happy. That’s my purpose more than getting famous.
LikeLiked by 1 person
Am back from shopping. Thank you, Jacqui. You’re always so helpful. 🙂 ❤
Love these tips.
LikeLike
The only time I shop anymore is with my daughter, when she visits. There’s just nothing I want. Well, I do online shop. Does that count?
LikeLike
I was shopping at Amazon and chose one of the books you mentioned in your post. 🙂 ❤
LikeLike
Reblogged this on Charles Ray's Ramblings and commented:
Some outstanding advice for writers.
LikeLike
Thanks for the reblog, Charlie.
LikeLike
Great list, thank you for sharing all this information.
LikeLike
Thanks, Dina. Love your post this week on Brown.
LikeLike
These are great tips – I will have to invest in this one. Thanks for sharing 🙂
LikeLike
There are so many how-to books. These intrigued me because they focus on ‘plot’ as a way to make your story great, not simply as a vehicle.
LikeLiked by 1 person
Am going to need these soon. My novel in not moving from snippets to a plot. Need a glue to connect the dots.
LikeLike
It can be vignettes, like your fascinating blog posts. That would be ‘voice-driven’–readers love the book for the author’s voice.
LikeLike
Jaqui..This post is very, very interesting for me..wow!! this information is really very important for me..I really appreciate it…this information means a lot for me..again..thank you!
LikeLike
Are you–like me–struggling with plotting? I understand…
LikeLike
This is such interesting and impressive with great information!
https://kmihran.wordpress.com/2015/01/18/mihran-kalaydjian-playing-tribute-to-my-parents-melody/
LikeLike
Thanks,Mihrank!
LikeLike