Here are ten great hints from professional proofer Randall Davidson, cofounder of ProofreadingServices.Us, a proofreading company that offers manuscript proofreading.He shared these with WriterUnboxed (a wonderful resource for savvy writing tips and tricks) and I’m going to share them with you. Enjoy!
- Put it away. Proofreading your novel immediately after you have written it can lead to overlooking even the most glaring errors simply because you read what you expect to read. Give yourself a few days or even weeks so that you can review your novel with fresh eyes.
- Ditch the distractions. Just as it is difficult to write with the phone ringing or people interrupting, it is also frustrating to try to proofread surrounded by distractions. Find a quiet place where you will be free from interruptions before starting the process.
- Take frequent breaks. Most people don’t read an entire novel in a single sitting, so you shouldn’t either. Proofread your novel in chunks of several chapters at a time so that you don’t miss errors due to fatigue.
- Use the assistance of others. Ask someone with a solid understanding of grammar and composition and a love of your chosen genre to read your novel and give you an unbiased opinion. Ask them for some of their best proofreading tips as well.
- Don’t rely too heavily on spelling and grammar checkers. They are handy tools and certainly have their place in writing, but they are far from infallible. There is simply no replacement for the human brain.
- Read your paragraphs or chapters out of order. This will switch things up just enough that your mind won’t remember what’s next and you’ll be more likely to catch those little trouble spots.
- Be aware of your most frequent errors. Do you misspell words when you are on a roll? Are you a comma abuser? Is your work dotted throughout with ellipses? Print reminders to yourself on Post-its and keep them handy so that you can reign in your most annoying habits.
- Check and recheck. Those sentences that already required revisions need to be double and triple-checked for errors. Errors in tense, spelling, or phrasing may have sneaked past you due to the original correction.
- Keep reference books handy. No one can possibly keep all the rules for grammar, punctuation, and spelling straight all the time. This is where thesauruses, dictionaries, and style books come into play. You should use them often.
- Read your novel aloud. Sometimes your ears will catch the errors that your eyes missed.
These ten tips distill the hundreds of pages in proof reading books I’ve ordered to the basics. Thanks, Randall.
Jacqui Murray is the author of the popular Building a Midshipman, the story of her daughter’s journey from high school to United States Naval Academy. She is the author/editor of over a hundred books on integrating tech into education, adjunct professor of technology in education, webmaster for four blogs, an Amazon Vine Voice book reviewer, a columnist for TeachHUB, Editorial Review Board member for Journal for Computing Teachers, monthly contributor to Today’s Author and a freelance journalist on tech ed topics. You can find her book at her publisher’s website, Structured Learning.
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All good advice, especially number one – only make that a few months, rather than a few weeks. I am one of those insane people who do not write their books in the correct order – I tend to wander off on backstories, find and explore new angles, twist my plots a little, tweak my characters as they grow inside my head. So my editing process is a mixture of correcting and rewriting: enormous fun!
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Fred–that’s truly what it’s about: Fun. Enjoying the ability to create a miracle from whole cloth. I like your writing approach.
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It’s hard to put things away when you want to Get It Done, but distance is critical. Loved these tips.
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So true. On both counts. I don’t see myself writing a book a year like some of my favorite authors. I just don’t pull all the threads that fast!
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All great tips, Jacqui. #3 Taking breaks is key for me or my brain just starts skimming. #6 I haven’t done before, but it makes complete sense (for the same reason). I’m planning on doing that for my current WIP.
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I take a lot of breaks. In my house, my husband works on the first floor and I work on the second floor. But the acoustics are horrid! I’m constantly jumping up to yell something to him!
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reading out aloud can fix many a woeful sentence, there is so much to learn. The writing is the easy part. The editing is something I am learning, slowly.
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Editing certainly takes much longer than the original writing. And the very slowness makes it more difficulty–I can’t judge pacing when I’m moving forward like an inchworm.
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I do all of these. I usually play music when I write, but not when I’m proofing.
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I wish I could play music. It distracts me. Because I spend so much time writing (and teaching), I almost never get to listen to music anymore. I cherish the time I spend in my car because the radio’s always on!
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Reblogged this on quirkywritingcorner.
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Thanks for the reblog!
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Saving this post! Thank you once again, Jacqui! 🙂
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Absolutely, Megha!
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All great tips. I’d add another–if you cut and paste (moving passages), and especially if you do so during proofreading, remember to re-read both the giving and receiving language to make sure you haven’t made either awkward or out of linear order.
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Good addition. I do that a lot. I hate when I move a scene because so much leads up to it. Then I have to rework all of that.
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I’ve not tried reading out of order. I’m going to give that a go.
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I like it. I find myself glazing over when I re-read the entire mss to edit. Reading out of order fixes that.
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Totally, Jacqui and I know the text so well by that state that my eyes run over the words too quickly
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#10 always works best for me. It goes beyond checking for grammatical errors and typos. Reading aloud helps me to hear the flow of the work, whether the sentences are too long or too short, and whether the dialog sounds believable.
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I always recommend that because so many writers benefit from it. Like you.
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This is great advice, Jacqui. If there’s one thing I hate – it’s proofing and editing 😉
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I don’t mind it. I like it better than the major changes required to rearrange plot pieces and remove a character from the story. I hate those!
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These are great tips, Jacqui. Thanks for sharing. Knowing my weaknesses serves me really well when I’m going back through a draft, as does relying on other sets of eyes! I’ve been considering what people call alpha-readers for my latest WIP, because you just can’t beat the feedback you get. I’m not a hundred percent sure what the difference is between an alpha and a beta reader is, so I might need to research that a little 😉
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OK, that was my question–what is the difference. Maybe I should Google it…
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Let’s compare notes! 😀
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I do nearly all of these, but #6 is a no-no for me. I need to find the continuity in my books, and that would confuse me. Here’s another tip: If you can’t rework a sentence so it makes sense, eliminate it. Read the paragraph again. In most cases, I’ve found whatever I intended to say wasn’t necessary. I’ve found Diana Hacker’s Rules for Writers to be an outstanding source for all the language idiosyncrasies and common problems most of us will encounter. Her newer additions have an online component with extended explanations and other features. When I write, Hacker is nearby.
Thanks for these great tips, Jacqui.
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I hope you do her Top Ten Tips over a Today’s Author someday so I can see them without investing time in the book. I love these bitesize chunks of knowledge.
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I often go with option 11: Beg/bribe my wife to proof read it for me
Option 12 will sometimes work: Pay a real copy editor.
Although some of you other options work too. 😉
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When I’m ready for someone to proofread my manuscript, I think I’m going to have Tess, the owner of Let’s Cut the Crap (her comment is above), read it and mark it all up. 😛
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Considering how well she writes (when she shares those great quick stories of hers), that’s a good idea.
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She read the first scene of another project I ended up shelfing. She was brutal and yet, at the same time constructive. I can take the brutality as long as it’s done with caring like she does it. 🙂
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My husbie reads for me also. Love those easy-going mates. I will go with a pro if I don’t find an agent for this story, though.
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All great tips!
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They are, aren’t they?
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Useful and wonderful advice as always. I especially like #6. 😀
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Yes–that’s a winner for me, too–and Jazzfeathers above.
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😀 😀 😀
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Sound advice. Thanks for sharing.
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My pleasure, Charlie. There’s always a tip that resonates with me in these lists.
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Some solid advice, though some I’ve already heard.
One that doesn’t work for me is reading out loud. Maybe because English isn’t my first language, it really does nothing for me.
Instead I’ve found working on chapters in a strange order quite helpful 🙂
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I like that idea–rearranging chapters. I might try that. I use an online editor that picks up repeated words and the sort. As I’m going through the suggestions, I edit the ms by paragraphs (lind of like your chapters) and find that wonderfully useful.
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I know I can’t read out loud and English is my one and only language. What happens to me is I start yawning and continue to yawn as I keep on reading out loud. My poor son didn’t have very many books read to him as a small child. As soon as he could read though, I was having him read to me.
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I’ve never heard of that before. You are always interesting, Glynis!
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Very sound advice, Jacqui. It’s amazing the errors you can pick up reading sections aloud.
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Yes. I know lots of people who swear by that. To my ears, my story always sounds so dull when it’s read aloud. Since my readers won’t be doing that, I don’t worry too much!
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