I wrote this article for OC Writers, when I launched my latest prehistoric fiction, Natural Selection. OC Writers is an eclectic collection of writers from my local area (Orange County, California). Some of their recent articles:
- Marketing Mayhem
- The Writing Workshop
- The Next 7 Days
If you missed this article over there a year ago, here it is again:
Every author knows about genres, how they stuff creative pieces into little boxes with a list of characteristics writers are encouraged to check off. Historical fiction includes lots of accurate detail about the era. Memoirs rely less on accuracy but must be interesting. Take the example of Erma Bombeck. Memories about raising kids may sound boring, but through Bombeck’s humorous lens, readers can’t get enough:
“Seize the moment. Remember all those women on the ‘Titanic’ who waved off the dessert cart.” –Erma Bombeck
“The odds of going to the store for a loaf of bread and coming out with only a loaf of bread are three billion to one.” –Erma Bombeck
The Romance genre spotlights love above even the plot. Comedy must make readers laugh. Dystopian fiction leaves them depressed. Cozies avoid sex, blood, and death on screen.
Every writer must be familiar with what genre readers expect so when the book ends, they are satisfied and eager to read more. If you aren’t sure of the expectations of your genre, check out my genre category. I define over seventy of them with tips and a short list of the most popular books.
Does that sound too formulaic? Lots of authors agree. They think following these tedious rules buries their unique voice, arguably what makes them stand out from all other writers of that genre. That isn’t true. Genre rules organize the story so the writer’s voice can shine. A good example is clichés. When the first writer penned these clever arrangements of words, they enraptured their audience. Consider “the calm before the storm”. These five words once conveyed a powerful and emotional message that stayed in readers’ memories, but now, a bazillion repeats later, they are boring. That’s where voice comes in. Replace clichés with the author’s own unique words (“We are the storm”).
How do you follow genre rules without letting them bury your personal style?
Know the rules of your genre, then write with the passion and energy of your voice.
The world’s most memorable fiction comes from creative folks who knew the rules and judiciously broke them. Embrace structure even while you color outside the lines.
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Jacqui Murray is the author of the popular Man vs. Nature saga, the Rowe-Delamagente thrillers, and the acclaimed Building a Midshipman, the story of her daughter’s journey from high school to United States Naval Academy. She is also the author/editor of over a hundred books on integrating tech into education, adjunct professor of technology in education, blog webmaster, an Amazon Vine Voice, and a freelance journalist on tech ed topics. Look for her next prehistoric fiction, Endangered Species, Winter 2024
I’ve been “on the fence” (cliche) about this topic. I agree, if I’m reading women’s fiction, I don’t want horror to creep in, or porn. If I’m reading literary fiction, I don’t want a bodice ripping kind of story. BUT . . . I also don’t like that our stories/novels must be “categorized” into a genre. For instance, my book THE RIGHT WRONG MAN is listed by many as women’s fiction, or romantic suspense. But that turned off male readers; the men I could persuade to read my book loved it! So, must there be a genre that says: women’s fiction but men will really like learning about how women think” also?? :–) Think Jane Austen . . .
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I think a lot of readers/writers agree. I’d even go so far as saying that is what is driving the explosion in genres, as we try to categorize cross-genre stories.
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Jacqui, I appreciate this discussion. I agree with the need for any writer to craft with his own voice. It brings a uniqueness to every poem or story.
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It does, absolutely. I love that about Indie authors. Especially those who craft a good story.
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So true, Jacquie. You need to know the rules before you can challenge them. If you don’t know the basics, it is difficult to achieve excellence, but there is nothing against being original.
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That is easier than it sounds, don’t you think? Many of the rules make a lot of sense.
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Great info Jacqui. Your last paragraph hit the mark – know the rules first before you break them. Oh, and about memoir, you said, “Memoirs rely less on accuracy but must be interesting.” I’d like to add, must be ‘truthful’, so accurate to the truth. There’s no making up stuff in memoir other than changing names and locales. 🙂
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I’m cringing reading my own description. “Less on accuracy” sounds wrong, but ‘truthful’–that straightens the intent of my meaning out. Thank you, Debby.
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My pleasure Jacqui. 🙂
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This is very good advice, Jacqui. I try to follow it but I’m not very good at rules. Even my art teacher said he couldn’t help me because my style is to different i.e. you never listen to me so sort out your own mess – haha!
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I love that. There’s a lot to like about being yourself.
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🤩
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Well said, Jacqui. I have always loved Erma!
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I read all of her books long ago and ma considering re-reading them!
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I want to do the same thing!
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You have shared some brilliant gems here, Jacqui – not only for writing, but for life as well!
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Isn’t that true! I am a rule-breaking at heart, but there is great value to following them. It’s all about balance.
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Great post Jacqui with awesome tips❣️
Love this: “The world’s most memorable fiction comes from creative folks who knew the rules and judiciously broke them. Embrace structure even while you color outside the lines”.
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Always nice to judiciously break rules. A fun passtime!
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I made the decision early on to stick with the conventions of literary fiction and not go experimental because those conventions are best equipped to tell the stories I want to tell. In addition, there is plenty of room for variation within those conventions.
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I did the opposite and then had to pull myself back! Wise to follow rules first, and then break them if interested.
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I had to learn the rules first, and that took long enough!
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I like your closing quote: “The world’s most memorable fiction comes from creative folks who knew the rules and judiciously broke them. Embrace structure even while you color outside the lines.” I think this philosophy can apply to many aspects of life, not just fiction.
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Absolutely. I do a lot of that!
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I think that’s why I love the romance genre, there are so many sub-categories within the scope of romance that it leaves a writer virtually free to roam at will.
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Really good point. That is true about romance. Thrillers are getting there, too.
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I tell new poets, “you can’t break the rules of poetry until you understand them.” or as I sometimes say, “You have to stay within the lines until you understand why the lines are there. Only then can you intentionally break out.”
also, writing is a business and you have to be honest. If you’re writing and then going to sell a murder mystery, well someone one needs to get murder and a case solved. If you don’t, well false advertising and don’t expect people to buy your next book.
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That first line is exactly right. I’ve read so many experts who say the same thing.
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The people writing for movies and television these days need a refresher in genre rules. Bad storytelling doesn’t just happen.
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I sometimes wonder who they think their audience is.
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I devoured Bombeck’s books back in the day! And I agree, if you write genre stories, then (at least mostly) follow the genre rules.
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I didn’t get that until I started reading Indies, found out a lot (a really lot) of Indie authors think they can make their own genres. Well, they can, but cautiously, and be prepared for blowback.
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Thanks for highlighting these points about genres, Jacqui!
Writers who want people to buy their books ask, “What do reader want?” Seems like a simple query. However, digging deep into reader comments on Amazon showcases the complexity.
A study of genres offers an excellent starting point to understand and apply the key scenes, conventions, and story structure readers expect.
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Absolutely true, Grant. For example, when I’m reading thrillers, I don’t want to spend chapters digging into the causes of a character’s guilt.
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It’s hard for me to write in a box. However, I am getting better at it. Thanks Jacqui for the reminder.
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Following rules does feel that way, doesn’t it–constricting. But your Einstein book doesn’t feel in a box, and still follows genre rules. You tread that line well.
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Which means one must be a polished writer and know what they are doing.
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That is what it boils down to, innit.
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“The world’s most memorable fiction comes from creative folks who knew the rules and judiciously broke them. Embrace structure even while you color outside the lines.” — you captured and displayed a lot of wisdom excellently in these two sentences.
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When I think of my favorite stories, that’s what they are. Thank you, Neil.
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Very inspiring, Jacqui – I agree, books work best when the writer keeps to the genre. Toni x
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I love historical fiction, but don’t really want that level of history in my thrillers (Clancy aside).
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Terrific post Jacqui and I must admit to reading some books recently where I was slightly confused by the genre or fusion of genres. I felt that the main genre was diluted because of this. Very helpful thank you..xxx
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There’s a lot of leeway these days for blending genres. I’m with you–it seems to dilute the joy of the primary genre.
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Hi Jacqui – so many genres – with more and more being added – I’ve two for you … Afrofuturism and Africanfuturism … I have a book to write up about the first of these genres … sometime! It’s great you offer us so much information to open our eyes to different ways of thinking – cheers Hilary
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Those are great, Hilary. I will be searching about them!
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I forgot to say how much I love Erma Bombeck. When I lived in the States I listened to her a lot….but had forgotten about just how funny she is:)
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She is Every Housewife. Even those of us who worked two jobs. Love that woman.
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And your post really is on Carol’s blog – https://carolbalawyder.com/2023/05/22/jacqui-murray-natural-selection-book-3/
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Yes, thank you. I appreciate you waking me up!
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I looked for it and I found it, but it was not the first one to read. This is maybe why you skipped it – or it appeared just after you clicked send, because in our inboxes your posts show later… It happens! It is important just that it was there, for everyone to read and know you (if we did not already 🙂 ).
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Absolutely true. Thanks again, Marina.
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Ouch! That hurts 🙂
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Ha!
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Thank you for this Jacqui. I need to delve into your books…clearly you are a prolific writer who knows and understands the world of writing well. Janet 🙂
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Unfortunately, earliest man had little symbolic thought, which meant art (and music) were still wonders to be enjoyed in their future. My next trilogy–Savage Land, dealing with Neanderthals–chronicles our first creative artistic endeavors (the canvas, a cave wall). I think you might really like that one.
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I agree….this is one I would enjoy.
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